Friday, June 18, 2010

Questions about Beginnings (part 3 of 9)

How do I know where to begin a manuscript? No single answer works here. The best advice is to start at a point of tension. Throw me into a story or an article that pulls my emotions or my curiosity and makes me want to know more.

The best way to show this is to mention a book I wrote in the early 1980s called Woman on Death Row. Where should I start? I asked members at a conference and received many answers: At her conversion? At the moment she receives her lethal injection? When she poisons her first victim? When she hears the death sentence? Any of them might have worked.

I opened the book when the sheriff comes to arrest Velma Barfield. The book goes about 80 pages before readers realize she committed murder. I reasoned that if they thought she was innocent, they'd be more interested than if I started with her death or the pronouncement of a sentence.

First rule: Start at a high point of tension. Begin where you can pique readers' interest. You can always go backward or forward once you hook readers.

Second rule: Start with a sympathetic character so readers can identify. (I mentioned this in a previous blog.) We can identify with Velma because we care about her predicament. We like her. Haven't most of us been accused of things we didn't do? I expect many of us have fantasized how we'd respond if someone accused us of a major crime.

There is no one place to start,
but choose to start with drama.

3 comments:

  1. What excellent advice; thank you, Cec. I appreciate the example, too. Now I must read that book--you've hooked me! Off to search for it...

    Happy Weekend,
    Jen

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  2. Thanks, Cec.

    Drama.

    Got it.

    Jean

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  3. I love that you started with her appearing innocent! Just awesome!
    I'm glad I saw this post on Lynda's page because I didn't realize you had a blog. :-)

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