Tuesday, April 9, 2013

Two Major Factors in Memoir and Autobiography

Here's the first question to assess if you decide to write your autobiography: What's the purpose? That is, what do you want me to get from this book? Or more simply, Why are you telling me?

The answer can vary but possibly it's to justify your behavior, to exact revenge on those who have hurt you, or to crusade for a cause. You might write to warn others or protect them from victimization.

The second question is, What is the theme? Every life has one—or at least it does if you write it.

In 1990, I wrote Norman Vaughan's memoir (which is still in print) called With Byrd at the Bottom of the World. The theme was about a Harvard dropout who wanted to be part of history by driving dog teams on Richard Byrd's historic expedition to the South Pole in 1928–1930.

Norman, who died in 2005 at age 100, was the last surviving member of that expedition. The story has great historic value. (For one thing, they proved that Antarctica is a continent.) The Norwegian explorer Armundson had reached the pole on foot and Byrd was the first to take off from the ice of Antarctica and fly over the pole.

The title also makes it obvious to readers and shows them the limited focus of the book. My second book with Norman was called My Life of Adventure. The title says it was an autobiography.

I think of Russell Baker, who was clear on his purpose in writing his autobiography, Growing Up. On a talk show, he said that children ought to know what it was like to be young in the time before jet planes, super-highways, H-bombs, and the global village of television. He had a purpose and theme and stayed with them.

If I write about my life, I will have a purpose and a theme.

3 comments:

  1. Thank you for this Cec. As an agent we see so many memoirs that do not clarify their purpose and theme.

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  2. Diana is a literary agent, so I'm delighted she chose to respond. Even more, that she agrees.

    It probably sounds discouraging to people who feel they must tell their stories. I think it's better to lay out the facts so you don't have to face rejection.

    Why not write your story for yourself? Call it personal therapy. Get it written. You probably won't get a book contract, but you can learn significant things about yourself in the process.

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  3. Writing your story for your children and grandchildren is a worthy endeavor, as well.

    My granddaughter, a graduate of Temple University, is studying social anthropology at Harvard. Yesterday she did a recorded telephone interview with me as part of a class assignment. The interview lasted for well over an hour.

    During that hour, I told my granddaughter many things about my life that she did not know, and several anecdotes about my parents and grandparents. She did not know, for example, that my maternal grandfather was the associate warden of Leavenworth Federal Penitentiary in the 1960s.

    The memoir I am writing is, indeed, good therapy for me, and that alone makes it worth my while. I also believe that my unusual story will appeal to a wider audience. But even if I'm wrong about that, after the interview with my granddaughter, I am more determined than ever to write my memoir for the sake of my descendants and my extended family.

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What are your thoughts?